Lucian Pintilie`s first film, Sunday at 6 O`clock (Duminica la ora 6, 1965) , one of the few Romanian modernist auteur films. The story, about a couple of young, anti-Fascist fighters who are persecuted and killed by the Iron Guardafter being betrayed by one of their own, meets the requirements of socialist realism to a point. The film`s style, however, takes on a life of its own, and the poetic parable about the Angels of Light confronting the Demons of Darkness is transformed into a disturbing psychological thriller, replete with sadistic torture scenes. From a close-up on the perspiring face of the hiding boy, the camera rapidly zooms down the elevator shaft to reveal the girl`s body far below in the dungeons, and then cuts to a sun-bleached courtyard where young people are happily chatting, thus escalating the foreboding anticipation to the limit. The recurring audio-visual leitmotifs (the dark stairwell, the sounds of elevator machinery, the overexposed courtyard) trigger a series of flashbacks, introducing bit by bit the poignant story of two people destroyed by the uncanny forces of history. Thus, Pintilie`s film yields a transparent existential metaphor for the despondency of young people in his country, trapped in the shaft of Communist dictatorship.
卢奇安·平蒂列
Ion Mihăileanu
惊悚 | 剧情 | 恐怖
纪录 | Sci-Fi & Fantasy
剧情
喜剧 | 剧情 | 爱情
剧情 | 爱情
真人秀
剧情 | 历史
真人秀
冒险 | 剧情
Sci-Fi & Fantasy | 剧情
剧情 | 爱情
纪录
剧情
纪录
剧情
爱情 | 剧情
剧情 | 战争 | 历史
喜剧 | 剧情
剧情 | 战争
剧情
电视电影 | 剧情
剧情 | 历史 | 战争
剧情 | 动作
剧情 | 动作
喜剧 | 剧情
历史 | 剧情
剧情
剧情
喜剧 | 剧情 | 战争
剧情
剧情 | 喜剧 | 爱情
剧情 | 爱情 | 电视电影
剧情
儿童
剧情 | 爱情
剧情
动画 | 儿童
剧情 | 爱情
剧情 | Sci-Fi & Fantasy
剧情
剧情
剧情 | 爱情
剧情 | 喜剧
剧情
剧情
动作 | 剧情
剧情
剧情
剧情
剧情